Étienne Anheim

Born
Anheim

Residence
France

Nationality
French

Alma mater
École Normale Supérieure Lettres et Sciences Humaines

Occupation
Teacher

Employer
Versailles Saint-Quentin-en-Yvelines University

Known for
Medievalist historian

Etienne Anheim, a medieval historian, is a lecturer at the Versailles Saint-Quentin-en-Yvelines University.[1][2]

Contents

1 Biographyt
2 Academic work
3 Bibliography
4 Decorations
5 References

Biographyt[edit]
Etienne Anheim is a graduate of the ‘École Normale Supérieure Lettres et Sciences Humaines, professor of history and former member of the École française de Rome (French School of Rome).[3][4]
Academic work[edit]
He is a member of the editorial boards of Medieval (since 1999),[5] Journal of Synthesis (since 2000), Annals,[6] and History, Social Sciences (since September 2007).[7][8]
Bibliography[edit]

L’Individu au Moyen Âge individuation et individualisation avant la modernité: Individuation et individualisation avant la modernité (The Individual in the Middle Ages individuation and individualisation before modernity: individualization and individuation before modernity). Brigitte Bedos Rezak, Dominique Iogna-Prat, Étienne Anheim. Aubier, 2005 ISBN 2-7007-2345-7
Le Diable en procès : démonologie et sorcellerie à la fin du Moyen Âge avec Martine Ostorero (The Devil on Trial: demonology and witchcraft in the late Middle Ages with Martine Ostorero), Presses universitaires de Vincennes ISBN 2-84292-142-9,.[9]
La Chambre du Cerf. Image, savoir et nature à Avignon au milieu du xive siècle (The House of the Stag. Image, knowledge and nature Avignon in the middle of the fourteenth century), Les savoirs à la cour, Micrologus.
La Nature, la construction sociale et l’histoire : remarques sur l’œuvre de Ian Hacking (Nature, history and social construction: comments on the work of Ian Hacking), with avec S. Gioanni, Constructivisme vs. naturalisme, under the supervision of C. Lemieux and Michel de Fornel.
Le savoir et le gouvernement. À propos du livre de S. Kelly (Knowledge and government. About the Book of S. Kelly), The new Solomon. Robert of Naples and the Fourteenth-Century Kingship », Brill, Leiden – Boston, 2003, Médiévales.
L’artiste et l’office. Financement et statut des producteurs culturels à la cour des papes au xive siècle (The artist and the office. Funding status and cultural producers in the court of the popes in the fourteenth
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